performance at Co-Lab on November 17th starting at 7:30PM
art is defined in postmodern culture by the saturation and lack of saturation of present situations. an event is an event but it is also a touchstone. eat yourself .
Here is the final page from the Boho Coco performance at Co-Lab! Thanks for staying with and lookout, cause finally there'll be posts of different content! Hooray! Bastille Day! Also, Co-Lab is the fucking place to be, so don't forget. Cool.
Hey guys, hey girls, things have been a little slow, but worry not, here is another typed page of random love from the Boho Cocos and Co-Lab and a night in limbo. Enjoy!
Hey hey hello hi hey there hello, it's been some time because my freaking a/c decided to break right when we were hitting the lovely temperatures of above 100 degrees here in Austin, but blah blah blah, nobody wants to hear my troubles. They want to hear me reading randomly typed poetry. Yeah! Dig! More from the Boho Coco performance at Co-Lab. Say, will you be there on the 4th to buy some art?
Here some more of that type you guys go crazy for. Random poetry typed from a performance at Co-Lab. Gee, guys, how swell. Check out: bohococo.blogspot.com, for more.
Hey guys, I'm going to be posting some pages of random typing taken from various guests at our performance last week at Co-Lab. It sure was fun. Check out: bohococo.blogspot.com, too, for additional material on these pages. And for austin new blog: I give you my recorded reading of the typed page! Enjoy!
Hey, hokey post title? I can never tell (thanks Riddler). Here's some more trippy live poetry hoetry from the Grand Canyon Motel. Midnight never felt so good. Dada month and national landmarks coming together to create shabang wow wow.
Hey, I'm reading my new poetry series 'the killers' from the wide world of Arizona. It's going to be a wild west kind of month, pardners. Oh, and what's this: this video is only part 1? Hmmm...dada!
text: the killers: loam
he turns around and is shot in the gut and Mr. Ring takes the man’s wallet. the cards are emptied into the gutter and Mr. Ring begins to laugh. he places the heat of the pistol near his own temple and chants three times,
“I’m a good man. I’m a good man. I’m a good man.”
Sister Marguerite laughs too and she folds the blinds closed. the man bleeds to death scratching his nails upon the sidewalk.
slightly above, a neon sign that promises ‘adventure in the new’ blinks out
and regains its foothold in argon and lead red.
Mr. Ring waits and gazes at the stripped mine of gold taxis blustering by. the night is his distant cousin and he knows coffee and jumpers. he walks away singing.
the killers: race
Lester cuts the noses off his victims and he puts them in glass jars and waits in his cellar for his wife to leave until he brings them all out and rolls them on the concrete.
Joe eats popcorn and has a knife.
Liam is an ugly beast; he is not evil but he has too many warts. he cuts little kids on the elbow and giggles.
Julianne doesn’t remember drinking and running over the Stewards’ only son, but she did.
Dexie is intoxicated when it happens, and hip shove the blip, he gets it up just thinking about piano wire.
Mary watches from a window and drinks up a brick or two just to stop herself from heaving irons.
I am even now waiting near an open balcony doorway and it is hot out and I am so tired.
the killers: hopscotch
Mr. Ring eats the pie slice on the corner in the summer heat with his jaundiced overalls kept clean and pert. the gaggle of school babes traipses by and he just shivs a few. screams and they run and Mr. Ring runs too, leaving his pie.
he hasn’t felt himself, the city is screaming, and the summer doesn’t want to end. Mr. Ring
tries to sing to himself about the low glut of alleys that convince others of mirror or rainbow.
a bum even now is hacking his lungs out behind a dumpster. Mr. Ring sticks him too.
the killers: wheels
in the factory, near the black door, under the rail, a knife,
grab a thing, take and do unto, a fair face, a festival, a Friday, a bunch of lost kids drinking in the night, oh,
an empty car port, an apartment window, an old record player, a jump, some justice, a stab, the man with one eye,
a black evening, the glory of night unending, another jump,
some expenditure, a rolling laugh, a never, and a never.
the killers: loop
Mr. Ring is alone in an apartment waking up to a blue coffee mug that he must smash if he is going to smile.
the open window tells him, “Oh you’re good. Oh you’re good. Oh you’re good.”
he tosses the cup away and a cat hisses.
Mr. Rind glances at himself in the mirror and places his index fingers to trace under the sockets of his eyes.
have a nice day, get a new love, go into the library, and yeah, give it a try.
he doesn’t have time, opens his doorway, tosses some knives on the hallways floor,
then slams his door shut.
the killers: grin eater
never again at work do we occupy a small cubicle where Walter took off his head
last week.
I want to go home even now, sipping coffee, staining my shirt, doing dry cleaning, sleeping in, and caring about my daughter.
Walter told me that his festival is a bright one, that it lasts forever, and that there is no music.
I can cry to think of it; I god damn love music, everyday, shit, everyday.
never again, though, I guess, poor Walt,
a man in the leper column, crowing down from the empty parking garage,
chirping, face swollen hot and red, begging not to tip or or. caution, old boy, caution.
the killers: last laugh
Mr. Ring will have the last laugh in the car near the glade spying on the tiny old man with his dog walking about rapid in the rotund fashion of parks and ardor. the radio hisses static that is comforting. Mr. Ring pops out of the car and charges mad the changelings out in the brush. first a mother, then a tiny man, then some joggers, another mother, some guitarists, and a bunch of otherwise business men.
Mr. Ring chokes and giggles, shoving his fingers in the mush, and finally he jumps into a pond and refuses to hold his breath.
his car license plate does not chuckle; it spins and read XXV-1248.
Mr. Ring dies and lets his wallet emerge to the surface of his drowning pool. pictures there, sure, and some other elements, empty plastic promises, rough cards, and a quote from some author.
“Lay in the meadow, you kind sons, have a laugh, take off your heads, get the go in the going go.”
the killers: luna
wanting to feel dangerous does not compose you into a black shirt, and to wear
your fragrance of stomach rot,
oh me,
let us go to the candy store, get some ice cream, rub it on the sidewalk,
Hey guys, here's a video of me (Christopher Savage!) performing my monlogue "Dialogues with god near a trash heap" at the Cathedral of Junk. Below the video is the original text version of the monologue (check out how it's changed and adapted for a live performance! oooohh, like a virus or something!).
dialogues with god near a trash heap (part VI) - man enters a scene beside a heap of trash - man: “Look, just stop. Okay. Stop a moment.” - man protests with hand and leans upon the trash - man: “You have to listen to me. It’s going to rain tonight, there’s going to be wild animals out, stupid kids will be driving their cars, night rangers are drunk and horny, and all types of devils are sulking around any corner.” - man pauses, then smiles - man: “Well, it could be something like that. I might be one of those devils, even.” - man nods head, forgetting the invisible audience - man: “I don’t think I am, but… I do get up late and skip work some times. I don’t always tip well. Sometimes I don’t call people back or return emails…” - man waves the nonsense away and returns to the audience - man: “But I digress. It’s not important anyway if I’m the devil – a devil at least. It matters if you are a devil. If you are, then all the trouble that’s waiting out there is already on your side. But where’s the fun in that?” - man begins to laugh; he becomes frivolous with audience - man: “Okay, seriously guys, I’m not jerking your chain. I just wanted you to stop. Just stop a moment. Please. Just stop.” - man sits in silence, still leaned upon the structure, gazing at it - man: “It can be so damned beautiful, the stillness. I think sometimes I’m afraid of anything else. This is home, though, didn’t you know?” - man kicks off heap of trash and turns from audience; he waves his hands in the air - man: “Okay, you can go now. Go on. Go. Leave me. Go on. You’ve stopped, you’ve taken in the moment. Go on, get out of here. Leave me.” - man exits scene, muttering unintelligibles under his breath
Hey, finally, some live footage from our Cathedral of Junk performance (for all who missed it). First up: Miguel Martinez reading his poem, "again, another six more hours." Apologies for the grainy video, but it was dark that night (and cold!). I say let it enhance the performance. Dig!
Hey hey, this video is dedicated to my good friend Jarod Mansour, hanging on that other coast in Charleston strumming his blues (this video was also shot during the Night of the Boho Coco at Domy Books (shocking!)). He's a new way winner.
Hey Sunday dreamers, here is the final clip (for now!!!) of the Night of the Boho Coco at Domy Books. This one has all the performers getting some poetry going with the chant poem "like dust." Do you believe in magic?
Hey hey out there my little lovelies, here's a clip of Josh Rios exciting the masses with some poems of his at Domy Books during our last reading, the Night of the Boho Coco. By the way, how's your Saturday?
Here we see one Jeff Daily playing his song "Oh You!" with his younger brother Chris. Look out, when Jeff steps aside...who's that hiding behind the bearded Boho?