Thursday, February 28, 2008
Oh You (mp3)
This is a tune from my one and only LP SONG AFTER SONG. This track also has an upcoming video post courtesy of Chris so keep yr eyes open and yr ears peeled.
OH YOU
Lost and lonely strumming blue
Until I met a girl named You
I wrote an awful lot of songs (2x)
I didn’t know they were awful
Until I sang along, yeah
Oh, you occupy my every thought
Oh, you I want to give you what you haven’t got
Oh, you – oh, you
My mouth hates the words I say
I think my thoughts are worse anyway
I'm full of emotion
Full of emotion, I dare not let on
In my dreams I turn around you’re gone – don’t turn around (2x)
Oh, you occupy my every thought
Oh, you I want to give you what you haven’t got
Oh, you – oh, you
Careful “Caution” tape is yellow
Been happy since you said, “hello.”
Happiness never suited me (2x)
But happy I’m-a-gonna try to be
The suffering artist is a bore (2x)
Oh, you occupy my every thought
Oh, you I want to give you what you haven’t got
Oh, you – oh, you
Monday, February 25, 2008
picture poem!
here's the poem in regular written form:
picture poem
the snakes and
glass buildings
struck us
like new
hearts
and we
became different.
we
began to dance in
silk blankets
and sing
about
with coffee voices.
Sunday, February 24, 2008
Shake Me (mp3)
I have a set of new songs that I will be sharing in the coming weeks. They are loud and technicolor.
Shake Me
I’m a sleepwalker
Not a sweet talker
Not a shock rocker
I’m as ordinary as they come
I try not to try
I dare not die
I dare not cry
Call me a revolutionary
Please mama shake me
I need to feel awake
I don’t know what it will take
So please mama shake
Swimming in a coma sea
Don’t know what I wanna be
Not sure I’m even me
Can you relate to this at all?
I’m whistling in rounds
Not making pretty sounds
A-walking tired grounds
Like Ian I am screaming
Please mama shake me
I need to feel awake
I don’t know what it will take
So please mama shake
I’m not the worst
I always finish first
I feel like I’m cursed
When you aim at nothing you hit nothing
Please mama shake me
I need to feel awake
I don’t know what it will take
So please mama shake
Friday, February 22, 2008
more poems for your mouth
Hello again, faithful readers. I'm here to give you some more untitled poems. Meet me in the Opera House with Olivia Tremor if your willing. Control me, if you can (music reference; track it down, Green Typewriters).
p.s. the first poem is the latest untitled I've written
untitled 4030
if I lay down in the road to
count
feathers from birds
from
the midnight song
I should
be so lucky, says
C
to his father
as
they ride down a country lane
in
the mid-heat of fading
September
I should think you’re smarter than that,
my
boy,
son o mine,
left lingering among the skiff plough
mud
drying upon the face
of the river
untitled 3601
school is for the officers who drive
through red lights
with the sirens on
for no
apparent reason.
and, yeah
, yeah, oh
yeah,
school is for aging rock and rollers
who just can’t
get laid anymore.
maybe, and
maybe,
school is for porno losers
with old age
and extended members.
it isn’t for me,
but I sit
in halls
and under
neon bulbs
and listen to
others preach about others
anyway
.
I am a shark caught
in the wilds of the
deep blue ocean
and strung along a pier for
all onlookers to gawk at;
or at least,
I am a free wheeling businessman
serving
time in a white
collar
jail cell.
untitled 2504
born on a Sunday
.
she was a friend of mine.
wrapped up in the
comics pages.
funnies and funnies.
I remember the times of
the ice crystals,
jaunting down her hair
in
cycles, spirals,
circles
.
she had frozen,
or nearly so,
and
came to my fire place just to
survive.
I
wrapped her in a humorous
blanket and
sat
in my old oak chair.
we
sipped the strange mint
leaf tea
and guessed.
how old am I
how old are you
?
she was a nude
baptist,
cleansing herself
constantly.
to be loved,
longed
for,
to fire up the car
engine in
dead winter
and
not wait for the windshield
to defrost.
that’s all Sarah ever
wanted.
little teeth,
the capacity to tear little
holes in everything
,
was her gift.
candy candy,
eyes are made for
you
and fancy.
discover lover,
I’m
always consumed by
another
.
Thursday, February 21, 2008
SC
Strumming by the higher power. ½ words. Speak the truth. They can’t hurt ya dude. Slip off the tile stage and pay me a tuna fish ton of soul. James Brown. Jim Beam of light trace trash Led Zep. Cars and aero zepplins sperm down the road singing about Jesus. Dancing around a hat, the animals blast Miss Understood while my record player receives an award for diagrams. Miss Fully Realized got an organ B-3 transplant with pizza toppings a week ago. Radio plays of my once long forgotten youth are beamed via satellite with guitar strings. I hold my hand out for the 97th teardrop.
? and the Jeffersons play sleigh bells at the Christmas pageant. Damn croon of Captain Jack, he always has to make his presence felt because he is filled with a sadness. Lord and boastful shithead. Click. Blues on the green makes me machine hips. Long term tigers of hipness and idiots of buddy icons study what I put in the zoo. She could have saved the daysleeper, but the sex toy company had a TV show to produce. Invite twenty-something coeds over for WOW. Easy on the roommate duck sauce. Fuck, what was that Bob? Where is Claire?
There was a sound buzzing mono in my cranberry mind. Who dare speaketh to the wind? The prince of talk, was it you down there by the bayou or were you at the college? No, it was the naked waitress of my dreams serving me food. It was a hot boiled love dish called eternity. Always in the mood to be rushed off to the hospital. About time for the judge to walk in on his daughter Jenny, for she was the bustiest girl in town. La cocina su familia. I too, blame game train. Riding in on the money calf about id on a Monday. Come on stop putting us on. This is serious. I need to stand trial for all the wrongs I done. Starting with the apple and ending with the three kings of Ziplock.
“Poor Mr. Dovetail. He was a great teacher, but he could not keep his thoughts to himself.”
“For shame my over-sized friend.”
The newspaper was due for a burning. Too many facts. I can’t stand politicians. They choke on truth. Blinded by thunder. These slugs make their escape to the Jersey shore. These USA merchants. On top of old smoking gun. A reference to the plastic utopia that melted last week. Soda fountain. I’m dripping with jokes to the point of discomfort.
“Ouch! My sides hurt.”
Can you refrain from throwing books out the window please. Never trust a singer whose name is Singer. Put that on sale you march of times tale maker. I demonstrated the use of gymnastics yesterday while on the lamb. What a year it has been for the TV. (Pause). Foreground and back to center and hurry up please, its time. I really worry about the cost of being.
I wonder about the tunes of today tomorrow. Rolling rock tones and decide the tuna tomb catcher with the blow up. I grain with each passing tear. Too late to tide came in and you were not on it. I saw your look alike in the bookstore. I nearly said hello. A shame that would have been. It just proves I still love you. And if you don’t believe in “love,” L-U-V, I feel sorry for you. How do cowgirls ride in the new west? Side saddle? Or is that too painful? I avoid confrontation. The soft trumpet of joy with its sad morn scorn for yonder winning prize pug. I am jealous of a thousand upsets. Born and raised in utero.
Ithaca, or mack the fife. Foils upon the mouth. Breaking news, I can’t eat alone. I am a bad tipper. What a sweet treat of parting glances. Yes, you do remind me of other statues. Liberty and that Lincoln fella. Fib. Fiber was in his other court document underneath the static of cheekbones. Should I plunder for this book?
Tuesday, February 19, 2008
America (mp3)
Another recording of Chris' poetry. He reads, I play guitar, keyboard, and percussion, and Erin plays violin. Dig!
America
he is gentle
in his corner
standing hot in the night club.
he sees pretty ladies,
shorts skirts,
flirtatious diamonds,
rougher types that don’t
ask for tomorrow.
he downs a drink
and
pats his
pat white suit.
a disco light catches his eyes a moment
- flash and bang -
and he goes for the door.
his money spills on the floor
and he decides to
trip an elegant
youth on
his way to the bathroom.
the child tumbles hard
and
gashes his head open on the
tack tread floor.
America laughs and
rides high
into the night with his fists ramming
the nothing.
the moon shines bright
for him
for him
and the ghosts of the city
burst and pop through
the sidewalk as he passes.
an ambulance careens past
in flash.
America ignores its wail and siren
and makes for
his unlit apartment.
the homeless men
lined in the coffers of the
street
dance and jive
to a different rhythm.
their skin rubs
off the bricks surrounding.
America laughs
again,
the second time,
hoping for a third.
hookers, the johns,
pimps and
hustlers,
pool sharks and gangsters
,
tramps, up and down the late
night
avenue.
he sees the heroin pushers and
the dope fiends,
people smacked up and
dragged down.
the rude little morsels of a tender
upended life.
his apartment building stands
because it can;
it greets him in hisses of
materialistic courtship.
there should be that doorman
and his white gloves
barking orders through the
glass door,
but the night leaves off invisible.
America grunts and slams
the door open.
elevator buttons, the ride up,
the lobby and the
mezzanine.
his apartment will not die.
he flushes the lights,
fastens a pack of cigarettes into
his bourbon hands,
and fondles the fridge
bursting.
he grabs a beer,
a cold one,
turns the television,
sees sonic Manhattan doing
the great walk,
naked and nude,
well hung and grunting
and thrusting
meat into beautiful
bodies shrieking
as banshees on the
Fourth of July.
the fish tank is half empty.
the dead gone
tiny fish tell no more war stories.
it is all the
life of the city of the dying
and the damned.
America dreams of southern latitude;
the tropics;
go east, go west;
he dreams again of the great north pole
and the freezing air.
no life
but he laughs once more.
this third time hurts.
he remembers the cancer lodged gracefully between
his lungs and stomach.
surely this will kill him,
after so much time and progress and
chaos,
America knows that time grows
short short shorter.
he opens a window into the fast leavening
night air and inhales deep.
this is a last chance,
a desperate grasp into the infinite
of oblivion.
he gazes into the stars and blots
out
the senseless buzz of
celebrity talk miring in the background.
my destination
,
he recites again and
again,
and dreams finally of
astronaut adventures and
nineteen fifties science fiction.
project bluebook,
roswell,
the great hidden history of
UFOs.
then it’s lights out;
his mattress lies directly on the floor.
a catalogue of the good
life rests next to his
humble pillow.
he grips the pages, flicks a lamp
once, then twice,
and stares into the fine coffee
tables presented in
four color fashion.
go to bed,
America,
it’s over.
his eyes sparkle.
the magazine bends, folds, flops
over, and is discarded
effortlessly on the floor.
he goes away for
the evening,
no alarm wanted
or set.
his sleep rolls into deep breaths;
he dreams of civil war,
of bloodless
revolution
,
manifest destiny,
eternity and due process.
Monday, February 18, 2008
View from a bus
Hey guys, I wrote this prose poem tonight while riding the bus home from school. The driver was a real warthog, and he inspired me instantly. I'd like to dedicate this to him, then. Goodnight, sweet prince.
travel logos 85
Poetry in stereo
travel logos 80
Sunday, February 17, 2008
Me and Jeff down by the schoolyard
here are the lyrics:
I'm jonesin' for some love
I'm jonesin' for some love
The only thing I think of
When will I score some love
Can't get it on the streets
Can't buy it in the stores
Can't learn it from Jesus
Can't catch it from the whores
I'm jonesin' for some love
I'm jonesin' for some love
The only thing I think of
When will I score some love
Saturday, February 16, 2008
three poems
Hey, here are some more untitled poems for you on this untitled day.
untitled 2179
a bright world
says calm calm
down
and smash your brains out
with
a clarinet.
and we live on the world
of sidewalks
and
car bumpers;
we
listen to rock and
roll
and watch
daredevils soar
over open flames and
wooden houses.
untitled 3795
forty times to stop the universe
in the dead winter
nights
of
forty
times to surf the sunset on the
beaches of
forty times to kiss the clouds
under
--
we are pistol
and impetus.
we are a shade of smoke blown
out of villain lips.
we are an attack
on alarm clocks.
smack the damned thing, honey,
and we can hide out.
--
forty ways to forget
bebop and
sing unsung.
to
abstract, sure,
she guesses,
and tosses her firearm into the trash.
untitled 3532
a night journey is called for;
bring your moonpies
and your applecrisps and your
tin cup.
I can be the banjo player in the dive bar.
you
can be the gypsy dancer.
bright butterflies,
bright stars,
dark sky,
long hours.
A hundred revisions and indecisions
Between the cat-scratch and neon burrs,
I heard the loose-chained bicycle sing
a lonely silken rustle down the street—
a dry whistle, like wind through wheat.
moving through leaves:
and the heady forecast of its strike.
as white and lucid as streams of milk.
whose births multiply the earth like cancerous cells.
the vines wrapped around its shoulders
Like the stone grapes carved
one woman grips to her as she falls.
Thank you guys so much for all your comments! Let me know if you want me to return the service.
Friday, February 15, 2008
prose poetry power
Hey guys, here's another prose poem from me to you. I love you all and oh gee what a wonderful world.
travel logos 3
A tirade for princess want. And you are the fourth person to step out of a shadow with a white mask on hiding paler skin. Go jump on a stranger. A comfort. Look in the stranger’s eyes, and see, and laugh. Curve your hands down the stranger’s face, ask their fiancé about love, and run away without shoes. There is a song composed of desert road, dirt, great intentions, the last raindrop diner on the lowest point of earth. Let me listen, hush now, let me listen. We can nearly imagine ourselves singing it with brand new suits on. Blue suits that are full of shiny sequences and frequencies. I love you, you piece of infinity. When I kiss you I am kissing everything in existence. We can’t stop like vagrants, we are nearly upon the grand castle with gray spires and dragons.
All Latinate Words Sound Pretentious to Me
I have heard the loose-chained bicycle song
lonely in its silken rustle down the street.
Fused and permanently echoing
with cat-scratch
and neon burrs.
The first-cousin of the rattlesnake
shicking through dead leaves.
and the heady forecast of its strike.
Four fangs pulled back into a snare
as white and lucid as a stream of milk.
its crowded births multiplying
like cancerous cells.
Its sex is not naked.
to the skeleton of an elm.
Wrapped around each other
like the mothers of
Or the stone grapes chiseled
into the mouth of the urn
one woman clutches as she falls.
Thursday, February 14, 2008
poetry yo-etry
Hey guys, Happy V-E Day. Let's celebrate our triumph over Germany with some poetry!
Here are two randomly chosen untitled poems along with the first from my next thousand. Hurray for love!
untitled 3352
disharmony misspell again and again,
a girl in the sandy shells,
glasses rimmed tight around her jaws, angry and ugly and true.
a girl with something to prove;
she wanders off into the wilderness and beckons you,
please oh please,
follow me.
but your legs are concrete girders.
you’re a bank; you’re a restaurant; you’re a federal records building
in charge of birth and death certificates.
and the girl is gone.
she screams.
blood in the wild.
what can you do?
untitled 1418
the movies bring violence
,
so that’s stuck in my head.
music
brings serenity
,
and that calms me down
.
literature rips
me
apart
and makes me
laugh.
)
people of
course
only bring
themselves
.
they make me
rejoice and
they make me
curse
untitled 4001
a view of Christoph
Savage
at age 25:
cold as an icicle in May,
he says,
oh yes, I want something.
but
it’s reason he needs.
some sublime
white stucco
crash,
the walls, oh
perfect,
kiss me glamour, I don’t
need
a tiff.
Wednesday, February 13, 2008
again more from SC
Dear Epistle St. Clean,
My name is Cobb Lar and I am looking to score some hugs. Do you know where I can get some? Remember when we listened to the radio? I was smacking my gums about the state of modern music the other day and I thought of you. Feel bad yet? This letter is in response to your theological assumptions. First, GOD DOES NOT EXIST. Do you know what you are saying to the tiny ones? The midget scoops of America are not ready for this. This is not a view that is advertisement approved. Stockholders will be unhappy with ya. We all know the consequences clean clear, profits will go down. Prophets cry when sadness overtakes them on Sunday morning. Good thing I do not belong to any club. I aint no sheep.
See ya later Shepherd,
CL
These ramblings curse like purse thieves. Eating eating eatin e-din eden. Now that we are situated in a comfortable couch let’s play hide and sneak. His name is humorous to me. The past two days have been filled with haunting hums. My dreams involve basketball games. Tiny radios talk to me on the porch in the pitch-dark nocturnal night. How is that? Asking questions is like shouting at a deaf tulip. Ha ha ha. Sounding smart is tougher that you might think. Smooth Player skips on the vinyl love machine as he watches TV. Coaches are roaches in need of some quick death. Smoke ‘em fatty! Aphorisms spasm out of me because philosophy means nothing to no one. Doing damage across language…I mean barriers. Bonus mating techniques found in the gym locker room. This is a lot of brain drain.
Once upon a time, delete, the lass was my special beauty. I made no real effort to hide my infatuation. Trumpet that mistake personality disaster memory bank. A voice too many heard like an orator at a comedy club laughed as he dug the wench in the third row. Bored, I asked the funny Greek to throw something at Ed.
“Will you film me tonight?”
This is a kid’s book. Sneel the peek to pack shaker yr rump doolittle hump…begggggggggg. No, literally a book I stole from some kid. Forget about him. Some jerk with a gap in his grin from a town with no name came riding a southern blue jay up to me and threw his device at the injured cage.
“Meow!”
Kitty put the middle back so I could write this chapter. Can you imagine every grain of badlands? I was love so I puked this sentence. Opening the jar of tomorrow to find calendar girls all dazed up with no place to snow. Taking showers. Taking take after take. There was lots of crying in silent lots. Painting eyeballs on sculptures from the days of the Greeks.
“Hey geek. Clean up that grease spill.”
Under the old rule I could never have gotten away with this shit. I was told to stop reading my book and pay attention. I just shrugged. I kept on reading. The math teacher did not want to have sex with her pupils. Eyesight is hindsight my lonely friend.
Read little short stories. Got to get away from this pad. Not anymore, she left me here standing in the doorway crying. I can’t very well keep on writing without her, can I? You have won.
Funny story, may I lay it on ya? Bad at tempting listeners, I know. Where is my bedside manner? Sloppy garage rockers rattle bones. This is not what you think. Journal keeper. Sleeper trite kitch in the warm oven. Bakesale. Other girls? What flutes in the dreams of great men? About ten other graduates ate pig while I slept on leather. I wrote songs before this book became a problem child. Doc Pomus makes perfect sense. Tunes. Toons. Tons of sweet. A sea breeze black trapdoor might sink us all if we shake rattle and roll. My own disease was named after some raven-haired chick. Clear is my name in other mediums. Enjoy like a strange movie made by some snog snog soon. The twinkle keys piano wings. Yes it does look like rain. Rings left by yesterday take on new meanings. He argued with her through the night. Strange, I thought love was all you need. Pet Sounds makes me cry.
Tuesday, February 12, 2008
Video Day
double (re)vision
Well well, looks like it's the end, my friends. So sad yet so true, here is the last revision of the poem "Origin." It's been a long, hard road (missing a day or two there and making up the loss), but it's been worth it. I'd just like to thank Jose Cuervo and People Magazine, both which induce sadness and failure (that's a quote; can you guess who said it?) Keep on keeping on.
Origin (revision 7)
I said for her to go and whisper
on sidewalks,
to wear her red dress, to kick
me with her
heels, to laugh in the junkyard.
she said,
everyone dreams of the ocean,
you dream of heaven,
we make love
over beds
of limbs and glass,
and the stars are only spirals of
heat
caught in the sky.
you can tell, she said,
open your windows
and feel the smoke.
I shook, I shivered.
Highly anticipated poetry debut!
I pity the girls lying with their boy-fri-
ends in hot motel rooms.
I pity the lampshade, cocked askew,
beating a single-bulb light on their faces
like there was nothing but the truth.
themselves onto the shore below,
or the reeds whistling an empty-mouthed
tune to the sand.
the skin around a knuckle.
And the big motel drained for the winter,
and cars moored in the parking lot, their
fat-lipped tires circumfrenced by in sand.
But they stroll boozily along the vomit-
frothed beaches, while the waves beat
each other like wet sheets.
The night manager and the cook in the
diner both believe they have no parallel in history, and entered the world before pain.
Far away, the night drains the streets of
beach houses and lampposts,
or a soggy fence that catches the spill of
the dunes. All these things are fastened
to the ground, but slip away into silence,
not protesting at all at the disappearance.
Or something like that.
Monday, February 11, 2008
tele(re)vision
Hey, revision number six. Well, look at that, ain't it purdy? Shazaam! One more to go.
Origin (revision 6)
sidewalks
whisper.
I saw
a woman
in a junkyard.
she fall
and dirtied her red dress.
the ocean sounds like
heaven, she
said to me.
to find ourselves among
mirrors and stars, glass and limbs,
she said as she picked
herself up.
go home, I said,
close the windows.
blow smoke.
Brand New Po'tree
THIS IS A LOVE SONG
We look like the Gestapo
We feel like 4th graders
This is our uniform
We do next to nothing
We walk the walk
This is our station
How many years have we been on our own?
We have questions
We have desires
This is our problem
This is not a human be-in
This is boredom
This is scary
This is shaping up to be quite a century
What this situation needs is a love song
This is a love song but…
This can’t be fixed with flowers
This guy doesn’t have superpowers
This aint as bad as it seems
This life is one of many ended dreams
How many years have we been on our own?
smello(re)vision
Oops, sorry fellows, I was off my head yesterday. Here is Sunday's revision (Monday's won't be far behind). Also, how are you? How the hell are you feeling?
Origin (revision 5)
don't walk down those sidewalks.
don't whisper.
I saw a red dress smother
a woman
in a junkyard.
I saw her fall
asleep and drift into
the ocean.
it is heaven to live
among the damaged objects
of mirrors and stars.
to find ourselves among
glass and limbs,
to close the windows,
oh I am
home. I blow smoke.
Sunday, February 10, 2008
The Stranger (mp3)
I consider myself a songwriter. THE STRANGER was written back in Nov. 2007. I recorded this in my apt. on a Tascam digital 8-track by myself under winter grey skies.
The Stranger
I heard songs of love and hate yesterday
I couldn’t seem to chase them blues away
I couldn’t find the words to make you stay
I heard songs of love and hate yesterday
I was in a stranger’s strange old car
I asked if it was too early to go to a bar
He said, “it’s never too early.” I strummed my guitar
I was in a stranger’s strange old car
The downtown was not grey it was blue
The shaking skyscrapers reminded me of you
People everywhere looked sad - I didn’t know what to do
The downtown was not grey it was blue
At the corner of 6th and main my heart began to ache
The pain was almost too much for me to take
The stranger wore a smile – I knew it was a fake
At the corner of 6th and main my heart began to ache
To the stranger I asked, “when will we be where we need to be?”
“Soon,” he said, “but forget all that you may see.”
I asked him where he was from he said a state called Misery
To the stranger I asked, “when will we be where we need to be?”
Saturday, February 9, 2008
poetry do-etry
Here are some more of my untitled poems. Lord knows I need to post more, oh lordy, lordy praise be. Praise be, amen.
untitled 4001
a view of Christoph
Savage
at age 25:
cold as an icicle in May,
he says,
oh yes, I want something.
but perhaps
it is reason he wants.
some sublime
white stucco
crash,
the walls, oh yes,
perfect,
kiss me glamorous I don’t
need
a tiff.
untitled 3523
I saw the police chase a man
through a Parisian street
scene.
the colors green, oh his
eyes,
he had such mirth and handsomeness.
a rebel certainly,
or the violent
death
of his mother.
untitled 3581
dark mirrors,
dark meadows,
we are traveling down the last
road of a distant
highway
and then she sets free her
blue and gray
checkered shawl.
we watch it fly about
a mile,
into the desert,
and shoot into dust.
the car is not so desirable.
it grinds.
it chokes.
it sputters.
x-ray (re)vision
Here is that fourth revision of the poem "Origin" that I promised to the moon eons ago. How about that? Didn't think I was that old, did you? Shows you right.
Origin (revision 4)
oh whisper to me of the sidewalks
you used to walk down,
tell me about the red dress on the
clothesline.
I, of course, can't recall too much.
the junkyard, I'd
say, the lack of sleep and the mud.
the ocean.
maybe those things.
maybe heaven,
maybe mirrors
and stars.
maybe we'll live in a home
with glass
laid around our bodies.
we can close the windows;
we can blow smoke
at our love.
Friday, February 8, 2008
coleco(re)vision
Hey, what do you know, the third revision based on the poem (and yes I'll continue to put quotation marks around my own poems!!!) "Origin." Well isn't that something? ...yes, yes it is, Church Lady.
Origin (revision 3)
I don't regret the sidewalks
or your face
or that girl over there in red
and dress and dragged
knees.
I don't regret the junkyards and the sleep
and the mud. I remember
my dreams and
I remember the ocean.
you can recall heaven,
with those stars
and the mirrors and our houses carved of
glass.
but I'm waiting.
tell me something,
fall over, cry, slip and let your
hair down. tell me
that it's love
and ask
me to close the window.
more scenes from SC
A forgettable one act play.
Cobb: The break down of modern civilization is directly related to the quality of cartoons shown on television.
Heather: I disagree with your thesis. Why must you always blame television for your sexual hangups?
Cobb: The way my sex hangs has nothing to do with TV. I just want to point my finger at an easy target.
Heather: You are a self-righteous bastard, you know that. If I weren’t already sleeping with you I would have my coffee on the back porch.
Cobb: Cool. I couldn’t care less where your dynamite comes from.
Heather: I am voting for the elastic party where all us beauties can feel like carrots.
(just then the economy breaks down and the void swallows all participants in this dinner theater)
I came to this country looking for tolerance all I found was tollbooths. Why can’t I drive on the roads without paying my weekly salary.
“Son of a Bitch!” I screamed.
(Choirs above and below the deck were known to be all vocal chord and no jig). “Together we can take this herd to Missouri.”
The boat leaves at 1:30 p.m. towards a new wife. Seventeen seems like a good Manchurian. I tried to reduce the number of cavalry officers in this play, but I knew they were outta work. Stumpy Joe was a cry on the back lot of Paramount when the hurricane hit. He was devastated because the storm carried his favorite horse Mindy away. A funeral was held at noon.
“Where do babies come from?”
Bob Horny was with his two friends when science interrupted.
“Stacey please…” Joe said.
He pleaded with his mouth while Bob played harmonica.
“I did not know you expected to marry the Bishop Rawlins.”
Bob took his hands off her chest. In the forest he cursed God. Stacey was three cycles away. Bob never forgave the Bishop. How he came to be a hermit monk in the forests of Arizona remains a mystery.
Meanwhile Stacey owns a profitable pornography store in Dallas, TX. She sells condoms with a picture of Jesus on them. The tale end of the tail comes something like this: Bob was lost, Stacey was found, and Joe was on his knees three nights a week.
I started to finish…
Con fee skate the delirium post-haste transformer man – Ye best get away from the radio – I should warn ya – the ghost of rock ‘n’ roll hates to be seen.
Skinny down on the farm is the son of General Poor Pear. Skinny likes his sugar sweet. He wakes early every year just to pick the most perfect cane. His sister Jenny took off with an artist who was bound for the gutter. She never worked a day in her life. Skinny did not mind. He was always lost in a rush of sugar. It kept him going. Daddy pushed him to find the time to read. He read as if he were in a race. He went through books faster than most light bulb college students. Though an understanding usually escaped him. This was alright. He was not a calculating sort. He was not interested in being a scholar. Skinny felt they missed the point. Jenny never came back. He had a younger brother. This was news to him. Edgar Rim-Jim. Nice boy. A little wit and wisdom. He was gifted. Ed could play a piano better the Alfred Mozart. Al was the best piano basher in the county. Ed never practiced. He could play.
The local talent contest held auditions one sunny March afternoon in 1973. Skinny was reading Joyce on some fine SUGAR and it was, of course, making sense. Ed ran in and told his brother he was going to audition. Skinny knew his brother was great and gave him his best advice, “Vary the stride in a horse drawn carriage.” Ed thanked his older brother and ran down the dirt road leading away from the family farm and toward the glory of the performance stage. The audition was already under way. Oinky, the troubled orange juggler, finished his act to thunderous applause. Ed got nervous. His name was called. He went to the piano. He made love to it. Notes seemed to spring out of the wooden frame of the old town piano. Who played like this? He hit fourths and fifths and seemed to coax quarter tones out of the box. It did not impress one on-looker who said, “Gee, this boy is lousy.” Most of the town was in attendance. Ed was racing toward his grand ending. Just then, as Skinny walked into the performance center, Jenny leaped out of the notes Ed was playing. Jenny, the long lost sister, had returned. Ed started crying. Skinny jumped and ran to the stage. He hugged his forgotten sister. Jenny wanted to see mama and papa. Ed dried his tears and finished his performance. The judges talked amongst themselves. They asked the performers who had auditioned that day to gather on the stage. Ed did not make the cut. His playing was too unconventional. Even though he had brought his sister back home through his music the judges did not like his use of augmented chords. The three farm kids looked at each other and decided they hated the farm town and caught a train to the island of OZ.
Thursday, February 7, 2008
di(re)vision
Here comes that sexy new revision I just done based on that old poem "Origin." Question: should I put quotation marks around the titles of my own poems? Kiss off!
Origin (revision 2)
so sidewalk so old
and slow and girl
and red dress;
I want your face
but I sleep in junkyards;
I'm just kicking the mud
in my
dreams.
I'm believing in heaven
and ocean roll,
I'm believing in the stars in my
mirror.
I'm waiting for you to say something.
tell me you're the fall,
that you wind and slip,
tell me that
you love to live to love to
dip.
tell me you love me.
Wednesday, February 6, 2008
Sagittarian Conflict
This is the opening scene from my unfinished, unreadable, and unpublishable novella titled SAGITTARIAN CONFLICT. I wrote the first part in college on an electric typewriter. The second part was written when I moved to Austin.
PART I
(This story begins with Famine, the old man, looking back on his college experiences.)
I was pretty sure the door was locked. Other kids might have taken me for a hobo, but I knew better. I just wanted to use the bathroom. Where did that Nun go? Got a funny look from Elvis. Doctor! Doctor! I’d rather be the Devil than be that woman’s mad dog.
“Can you believe the high prices?” Cobb said.
(no sleep)
(no droughts)
(no complaints)
“Tell me the one with the deceptively simple rhyme scheme.”
“No.”
“Okay, here is the picture of me with a noble grin.”
I may have told her to stop flying kites but I was lying. I would pick up the guitar if my fingers were not bleeding. I threw your entire movie into the nuclear war. How are the geese getting along with the fish? Joe Cocker grabbed the microphone and made me lose my vocabulary. Some nice melodies – infamouse – Infamous.
(look over there, no untouched frogs)
“My days are pretty damn good,” Famine replied.
Now, I will tell the one about the mistress of the Dean. In the back of her car was a rubber. Some hours later my knees regained strength – possible – truly in debt to the flying dutchmen of Kansas City, Kansas. Constant mind warp in the form of sandwhich
Nirvana.
Peal Neal.
Buddha sits under a tree and gains wisdom. I am a passenger in a car. She would love to be making love right now. I guess the pauper wasn’t poor after all. Dame, I should have walked to my girl today.
(shaving)
(saving)
(skiing)
The literary community will have my ass if I don’t behave like the corner drugstore and diner trouble was his middle finger. Po-dunk the rabbit is always making love – caught in the headlines.
The exposition: to be a floating pyramid on New Year’s Day.
revision 1
Here is my first revision of the poem I wrote yesterday, "Origin." Check check check it out.
Origin (revision 1)
stiletto heels and paper
and her face
on the sidewalk;
red dress.
she wheels to the junkyard to
see me king of
kicking;
and mud
and ocean crest.
we who are not so long lived
must believe in heaven.
we must look into mirrors and
star and pop.
but she says
that she says
a lot of things;
I am the fall,
I harbor the wind,
she says
and says.
Tuesday, February 5, 2008
more ramblings
Also, hey, why not two posts today? Also, here's another prose poem, cut from my eyelids and bleached in my brain sauce (was that bad? sorry, just trying to sound like a Batman villain). Anywho, ho ho ho, here we go.
travel logos 2
I should be sleeping. The lamp is on. The cat claws the mattress and I yell at her because she has sick things inside her. The lament of time is that there is always too much and it costs nothing. The lament of the morning, one that has not yet held sleep, is that it’s a wonderful place. My hair is still clean even though I rolled around in puddles of drab mud, killing cars. You don’t even suggest we should go out for ice cream. You like to rent movies, buy them for cheap, and plug them into your head. Fall asleep, I am a cheap doll molded by somebody wonderful. I am glued to my own feet, my own steps, my own avenues and longing. Let my shoes kick off, smash against the hall, die in the pit of sandals. You say look in the mirror, wise up, don’t be so dopey. I look at the morning sun and hear it whisper. It repeats my name, truthfully, please believe.
Origins and borigins
Hey guys, I decided to start a new series titled revision week. I'm posting a single poem today, something off the top of my head, and then with each succeeding day, I will revise the poem, just to see how different it can become. Basically, I'm playing masturbatory telephone with myself. It's fun; you should try it.
Origin
she was once a thing
of paper
dressed in stiletto heels,
climbing
sidewalk scenes against
the duress of a red dress.
and I was a wheel
left in a junkyard,
kicked
and crudded over with mud,
dreaming of ocean crest.
she tells me, oh we
are not so long
in time to
believe we can have heaven.
but she
says a lot of things;
I smell of the fall,
I smell of something lost on the wind.
Monday, February 4, 2008
more more more
Here's some more poetry of the bi-weekly, untitled variety.
untitled 2012
easy, honey.
don’t fall asleep with the horror movie on.
take
your time soul soul.
don’t
just climb out of wells with bare
hands.
it is good to wait for the rising tides,
to
dream of better worlds,
to hide the best of your
secrets.
chance the cold night with me.
go the distance.
in seven days,
one
week one
week
,
we’ll go down into the valley
and
cut the longest strands
of
our hair. leave it there.
nothing
so frivolous matters
.
and then, after many months of wandering,
we’ll
come back to the same bedroom. the
movie
will be over
and then, gently,
rest your head
.
(danger
wild and free
untitled 2118
when are we
going to see, sights and
sounds,
through blessed eyes of peace”
she asks, fighting
off
a recent flu.
the sky grows purple, full
of heavy mist,
full and terrible.
but she smiles.
Cindy the dream has
had a knack for
the mystic.
all her life, created only
to
uncreate the drab drowsiness
clipped to the average day.
it is in her little life,
the movements of her limbs,
across the fields of unseen dust,
the change, the casual change
,
that she says,
“all of sorrow is gladness.
all of life is good.
to be and to dance, to die and to
lose,
to feel pain
and
to grab whatever one may,
is holy.
it is not too late,
not now or not ever,
heaven or hell,
we all have chances to see clearly and to see the ocean.”
it makes sense to her,
in her
blood and in her flesh
.
sickly coughing,
Cindy can’t understand anyone else
.
untitled 2234
the goal is to be closer to happiness
every time
love is had
.
but you’re a shell. broken darkness.
big
empty parlor on the boulevard.
don’t get disheartened.
it is easy
to become hollow like dancing
with a slut.
it is easy to drown in a river.
it is so much harder to take a black
eye from a good
good
friend.
it so much harder to
make love
after a year long absence of anything but
devils in dresses
.